Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Asato Ikeda
Honolulu: University Of Hawai'i Press, 2018. 144 pp.; 33 color ills.; 12 b/w ills. Cloth $60.00 (9780824872120)
In The Politics of Painting: Fascism and Japanese Art during the Second World War, Asato Ikeda considers four artists who, she argues, promoted fascist ideology through seemingly nonmilitaristic paintings made in the 1930s and 1940s. Through an examination of the work of Yokoyama Taikan (1868–1958), Yasuda Yukihiko (1884–1978), Uemura Shōen (1875–1949), and Fujita Tsuguharu (1886–1968), Ikeda rethinks conceptions of fascism and its manifestation in the Japanese visual arts,... Full Review
October 11, 2019
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Octavian Esanu, ed.
New York: Routledge, 2018. 156 pp.; 42 b/w ills. Cloth $155.00 (9781138563834)
The first time a nude was included in an exhibition in Lebanon, it caused quite a stir. Whereas young Lebanese painters who had studied in Paris were familiar with painting nude models, they found it difficult to show their paintings to the conservative Lebanese public upon their return home.Lebanon—The Artist’s View: 200 Years of Painting, exhibition catalog (18)In her pathbreaking 2010... Full Review
October 9, 2019
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Anthea Callen
New Haven, CT: Yale University Press, 2018. 272 pp.; 212 ills. Cloth $60.00 (9780300112948)
Anthea Callen’s earlier monographs established her as a leading expert on the facture and material history of Impressionism. Her new book turns away from the physicalities of canvas weaves and palette knives, parasols and portable paint boxes, to address a very different kind of “artists’ material”—naked human bodies, dead and living—and the academies where artists were taught to represent them. The basic insight that grounds her inquiry is simple but fundamental: the pedagogical... Full Review
October 8, 2019
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Ittai Weinryb, ed.
Exh. cat. New York: Bard Graduate Center, 2018. 372 pp.; 250 color ills.; 60 b/w ills. Cloth $75.00 (9780300222968)
Bard Graduate Center Gallery, New York, September 14, 2018–January 6, 2019
The exhibition Agents of Faith: Votive Objects in Time and Place revealed the moving, sometimes playful yearning that accompanies a primal desire to be in the company of the supernatural. Curated by Ittai Weinryb, the Bard Graduate Center Gallery exhibition posited that this desire to visualize or materialize the miraculous is a practice that has existed in all periods and places. It featured objects ranging from Etruscan terra-cottas to Mexican votive paintings to Bavarian and... Full Review
October 3, 2019
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Tijana Vujošević
Manchester, UK: Manchester University Press, 2019. 208 pp.; 72 b/w ills. Paper £ 20.00 (9781526114884)
Soviet architectural modernism is characterized sometimes as unrealizably utopian, and other times as an expanse of drab housing blocks that failed to take account of their human users. Tijana Vujošević begins Modernism and the Making of the Soviet New Man by noting that neither view is exactly true, and further that the truth was, at least arguably, precisely the opposite of both: a radical transformation of the built environment was in fact realized in the first decades of... Full Review
October 2, 2019
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Abdul Alkalimat, Romi Crawford, and Rebecca Zorach, eds.
Second to None: Chicago Stories. Evanston, IL: Northwestern University Press, 2017. 376 pp. Paper $35.00 (9780810135932)
In the summer of 1967, as the first national conference on Black Power convened in Newark, New Jersey, and the city of Chicago awaited the unveiling of a monumental sculpture by Picasso in the Chicago Loop, a group of artists—painters, photographers, and graphic designers affiliated with the recently formed Organization of Black American Culture (OBAC)—created a mural on Chicago’s South... Full Review
September 30, 2019
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Stephanie Schrader, ed.
Exh. cat. Los Angeles: J. Paul Getty Museum, 2018. 160 pp.; 138 color ills. Cloth $39.95 (9781606065525)
Getty Center, Los Angeles, March 13–June 24, 2018
Imagine an art history of either South Asia or Europe where Bichitr (active circa 1615–50) and Rembrandt Harmensz. van Rijn (1606–69) share the same discursive space. The cover of Rembrandt and the Inspiration of India provokes us to envision precisely that: an art history where a painting and a drawing of the Mughal emperor Shah Jahan by two contemporaneous artists—one from South Asia and the other from Europe—can coevally reside alongside each other. In a way, the cover functions... Full Review
September 27, 2019
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Celeste-Marie Bernier
Oakland: University of California Press, 2019. 344 pp.; 99 color ills. Cloth $85.00 (9780520286535)
This welcome new volume surveys some fifty diaspora artists working in the United States and United Kingdom and more than 150 of their works. It elaborates the author’s larger project of developing a critical bibliography that alights on both contexts and, in so doing, seeks to articulate a working “Black lexicon of liberation,” primarily by drawing on the words of (and well-chosen objects by) the artists in question. In this sense, Stick to the Skin occupies a place somewhere... Full Review
September 25, 2019
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Alpesh Kantilal Patel
Rethinking Art's Histories. Manchester, UK: Manchester University Press, 2017. 272 pp. Cloth £ 80.00 (9781784992545)
Rethinking Art’s Histories, the Manchester University Press publication series launched in 2010, carries a substantial catalog of unconventional and experimental scholarship that breaks away from period- and geography-centered approaches to art history. Alpesh Kantilal Patel’s Productive Failure: Writing Queer Transnational South Asian Art Histories is a valuable contribution to this growing body of literature that attempts to expand the parameters of art history and its constituent... Full Review
September 24, 2019
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Wolfgang Drechsler, ed.
Exh. cat. Livorno, Italy: Sillabe, 2017. 152 pp. € 20.00 (9788883479465)
Palazzo Pitti, Florence, March 25–June 25, 2017
Maria Lassnig: Woman Power, curated by Wolfgang Drechsler and displayed in the Andito degli Angiolini at Palazzo Pitti, showcased twenty-five artworks by the Austrian painter Maria Lassnig (1914–2014). The paintings that were in the exhibition, which are either self-portraits or still-life pictures, examine the complex phenomenology of the material relationships between human flesh, animals such as tigers and birds, and diverse objects including scissors, musical instruments,... Full Review
September 19, 2019
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