Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Marc Gotlieb
Chicago: University of Chicago Press, 2016. 320 pp.; 48 color ills.; 77 b/w ills. Cloth $60.00 (9780226276045)
The first English-language book on this mid-nineteenth-century French painter, The Deaths of Henri Regnault will become an important reference with its many leads for art historians to pursue. Its first four chapters examine Regnault’s decade-long career, which took off when he won the Prix de Rome in 1866 and ended with his death in 1871; the final three examine his posthumous reputation until World War I, when it precipitously declined. Marc Gotlieb’s attempt to revive... Full Review
December 11, 2017
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Ernst van de Wetering
Oakland: University of California Press, 2016. 340 pp.; c. 300 color ills. Paper $49.95 (9780520290259)
It is hard to imagine that a painter as provocative and awe-inspiring as Rembrandt created his oeuvre without having a theory of art. His works are outspoken, offering robust statements (as Hubert Damisch and Mieke Bal would say) about the nature and status of pictorial representation. To have such pictorial statements further articulated and contextualized would have made a great book. However, in Rembrandt: The Painter Thinking, Ernst van de Wetering approaches with great caution... Full Review
December 11, 2017
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John B. Ravenal, ed.
Exh. cat. New Haven: Yale University Press, 2016. 140 pp.; 165 color ills. Hardcover $45.00 (9780300220063)
The illuminating exhibition Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life recently at the Virginia Museum of Fine Arts (VMFA), explored the deep connections between what seems at first glance to be the work of two starkly different artists. Both the exhibition and meticulously researched catalogue essay examine the common threads that... Full Review
December 8, 2017
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Marsha Meskimmon and Dorothy C. Rowe, eds.
Rethinking Art's Histories MUP. Manchester: Manchester University Press, 2016. 320 pp.; 47 b/w ills. Hardcover £ 65.00 (9780719088759)
Marion Arnold and Marsha Meskimmon, eds.
Liverpool: Liverpool University Press, 2016. 352 pp.; 54 color ills.; 115 b/w ills. Cloth £ 75.00 (9781781382806)
Women, Geography, Borders in the Age of (Anti)GlobalizationThe... Full Review
December 8, 2017
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Tom Nichols
London: Laurence King, 2016. 224 pp.; 135 color ills. Cloth $35.00 (9781780678511)
In his introduction to Renaissance Art in Venice: From Tradition to Individualism, Tom Nichols takes careful aim at some overused concepts in the discussion of Venetian art, namely the characterization of it as distinguished by colore as opposed to disegno, and qualities of venezianità and mediocritas. He cautions his readers that these narratives do “little to explain the more dynamic dimensions of art and architecture in this period, and fail to account... Full Review
December 6, 2017
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Sarah Kate Gillespie, Janice Simon, Meredith E. Ward, and Kimberly Orcutt
Exh. cat. Athens: Georgia Museum of Art, University of Georgia, 2016. 126 pp.; 42 color ills.; 40 b/w ills. Cloth $55.00 (9780915977956)
Exhibition schedule: Georgia Museum of Art, September 17–December 11, 2016
The forty works featured in Icon of Modernism: Representing the Brooklyn Bridge, 1883–1950 illustrate the influence that the imposing New York architectural landmark has had on modernist artists of varying stripes since its completion in 1883 to just after the Second World War. Included are a mix of paintings, works on paper, and photographs executed in several modernist styles from American Impressionism to Surrealism that depict the bridge from key vantage points. In fact, in the... Full Review
December 6, 2017
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Victoria Lynn and Helen Hughes
Exh. cat. Healesville, Australia: TarraWarra Museum of Art, 2016. 120 pp.; 110 ills. AU$ 15.00 (9780994455222)
Exhibition schedule: TarraWarra Museum of Art, Healesville, Australia, August 19–November 6, 2016
The 2016 TarraWarra Biennial was conceptualized as an exchange between two influential modes within contemporary art today: the recurring “biennial” exhibition format and the prevalence of contemporary art journals. The exhibition’s curatorial premise, its catalogue, and its associated program of talks and publications were envisaged by curators Victoria Lynn (director of TarraWarra Museum of Art) and Helen Hughes (co-founder of Discipline journal) as being not simply in... Full Review
December 5, 2017
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Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello, eds.
Exh. cat. Philadelphia: Philadelphia Museum of Art in association with Yale University Press, 2016. 432 pp.; 350 color ills.; 20 b/w ills. Cloth $65.00 (9780300215229)
Exhibition schedule: Philadelphia Museum of Art, Philadelphia, October 25, 2016–January 8, 2017; Museo del Palacio de Bellas Artes, Mexico City, February 3–April 30, 2017; Museum of Fine Arts, Houston, June 25–October 1, 2017
Marking the centenary of the Mexican Constitution (and some argue the end of the Mexican Revolution), the year 2017 is the occasion for many celebrations of Mexican art and culture. Paint the Revolution: Mexican Modernism, 1910–1950 offers a rare opportunity to see numerous exceptional examples of Mexican modern art, many loaned from private collections. The exhibition and its accompanying lavishly illustrated catalogue are collaborations between the Philadelphia Museum of Art... Full Review
December 5, 2017
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Sheryl Oring, ed.
Bristol, U.K.: Intellect, 2016. 222 pp.; 170 color ills. Paperback $38.50 (9781783206711)
With breaking news coming out of the White House daily, if given the chance, what would you “wish to say” to President Trump? What might you ask him? What would be your most pressing issue to discuss? Would you be able to fit it on a postcard? Sheryl Oring has been asking the public these and related questions for over a decade in her project, “I Wish to Say.” Donning 1960s-era dress suits, she travels across the country with her portable public office, a vintage manual typewriter in tow,... Full Review
December 4, 2017
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Jenni Sorkin
Chicago: University of Chicago Press, 2016. 304 pp.; 8 color ills.; 70 b/w ills. Cloth $45.00 (9780226303116)
This excellent book by the feminist scholar, critic, and curator Jenni Sorkin exemplifies the value of incorporating craft and other forms of applied art more fully into the history of the avant-garde. Sorkin reveals the important role played by women ceramic artists of the 1950s and 1960s in shaping collective and performative experiences of art. Women ceramicists built alternative communities of practitioners while exploring issues of form and process, and Sorkin argues that their work... Full Review
December 4, 2017
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