Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the right-hand column, or by entering terms in the search bar above.

Recently Published Reviews

Tom Nickson
University Park: Penn State University Press, 2015. 324 pp.; 60 color ills.; 80 b/w ills. Cloth $89.95 (9780271066455)
The title of Tom Nickson’s impressive and beautifully illustrated monograph, Toledo Cathedral: Building Histories in Medieval Castile, cleverly highlights the dual agenda of his ambitious study of the Spanish cathedral. As a book dedicated to a single work of architecture, it endeavors to untangle the complicated and often tacitly accepted building history of the cathedral’s construction from the early thirteenth through late fourteenth centuries. In so doing, Nickson reveals how the... Full Review
July 20, 2017
Thumbnail
Duncan Clarke
New York: Prestel, 2015. 272 pp.; 230 color ills. Cloth $75.00 (9783791381633)
Textiles are key to understanding the past. From sartorial practice to divisions of labor and patterns of trade, textiles serve as historical documents that often reveal as much about the people who produced and wore them as they do about those who collected, traded, copied, or admired them. African Textiles: The Karun Thakar Collection is a step toward documenting a significant private collection of textiles that shows potential for increasing our understanding of this important... Full Review
July 19, 2017
Thumbnail
Adam Pendleton
Exh. cat. Los Angeles and New Orleans: Siglio and Contemporary Art Center, 2016. 144 pp.; Many b/w ills. Paper $29.95 (9781938221132)
Exhibition schedule: Contemporary Arts Center, New Orleans, LA, April 1–June 16, 2016; Museum of Contemporary Art Denver, Denver, July 15–September 25, 2016; Museum of Contemporary Art, Cleveland, January 27–May 14, 2017
Installed in a city many consider ground zero for Black Lives Matter at a particularly volatile moment in U.S. race relations, Adam Pendleton: Becoming Imperceptible at the Contemporary Arts Center (CAC) in New Orleans is charged with a political urgency at odds with the artist’s restrained forms, prosaic typography, and cryptic citations. Yet the triumph—and challenge—of Pendleton’s language-based enquiries reside in their capacity to interrogate system and process as provocatively as... Full Review
July 19, 2017
Thumbnail
The third incarnation of the San Francisco Museum of Modern Art (SFMOMA) opened to great fanfare in May 2016. The new building more than doubles SFMOMA’s galleries, increases by over ten times the educational facilities, and multiples by four the spaces devoted to cinema and performance. Despite the expanded potential, reactions were mixed. Much of the criticism focused on the architecture, notably the rippling facade of fiberglass-reinforced polymer panels. The sheathing incorporates white... Full Review
July 18, 2017
Thumbnail
John Guy, ed.
Exh. cat. New York: Metropolitan Museum of Art, 2014. 336 pp.; 304 color ills.; 56 b/w ills. Cloth $65.00 (9780300204377)
Exhibition schedule: Metropolitan Museum of Art, New York, April 14–July 27, 2014
In spring 2014, the Metropolitan Museum of Art presented a groundbreaking exhibition of early Hindu and Buddhist artworks from Southeast Asia. Aptly titled Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, the exhibition brought together treasures from nearly thirty institutions and collections across nine different countries, many of which had never before traveled outside their country of origin. Carefully grouped, juxtaposed, and emplaced in the Metropolitan’s... Full Review
July 13, 2017
Thumbnail