Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

James Romaine and Phoebe Wolfskill, eds.
University Park: Penn State University Press, 2017. 204 pp.; 33 color ills.; 22 b/w ills. Hardcover $79.95 (9780271077741)
Beholding Christ and Christianity in African American Art, edited by James Romaine and Phoebe Wolfskill, offers a unified and underexamined perspective on artwork by late nineteenth- to mid-twentieth-century African American artists. Each of the fourteen chapters showcases a selected artwork by an individual artist, highlighting how “engagement with religious subjects, symbols, or themes can be an expression of an array of concerns related to racial, political, and socioeconomic... Full Review
May 2, 2018
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Pellom McDaniels III, ed.
Exh. cat. Atlanta: Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University, 2017. 98 pp. Paperback
Stuart A. Rose Manuscript, Archives, & Rare Book Library, Emory University, Atlanta, Georgia, September 15, 2016–May 28, 2017
Camille Billops and James V. Hatch are artists, educators, archivists, and activists who dedicate their lives to creating, teaching, collecting, and preserving art that reflects the experiences of the African diaspora. Pellom McDaniels III, curator of African American Collections at the Stuart A. Rose... Full Review
May 2, 2018
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Robert Storr
Exh. cat. New York: David Zwirner Books, 2015. 112 pp.; 74 color ills. Cloth $65.00 (9781941701089)
David Zwirner Gallery, London, October 11–November 22, 2014
In Untitled (Mirror Girl) (2014), a young woman, voluptuous, luxuriating in her nudity, strikes a pose in front of her star-trimmed mirror. She holds her breasts in her hands to emulate a magazine spread, and she is stunning. An assortment of clothes and shoes decorate the floor beneath her, their colors and textures rhyming with the geometrical patterns across the rug and wallpaper. A cat sits quietly in the background, creating a collage effect—a technique Kerry James Marshall has... Full Review
May 1, 2018
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Anna Dezeuze
Rethinking Art's Histories. Manchester: Manchester University Press, 2017. 344 pp.; 72 b/w ills. Paperback €19.99 (9781526112903)
Anna Dezeuze’s ambitious book Almost Nothing: Observations on Precarious Practices in Contemporary Art establishes a lineage for work from the 1990s and the first decade of the 2000s that engages with the issue of precariousness. Dezeuze compellingly argues that, beginning in the late 1950s, artists began to mine a conceptually fertile vein of lived experiences at the margins—whether actual or assumed. She understands the term “precarious” as established by the... Full Review
May 1, 2018
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Tamar Garb and Fiona Bradley, eds.
Edinburgh: The Fruitmarket Gallery, 2017. 192 pp.; 120 color ills. Hardcover $45.00 (9781908612410 )
Rosalind E. Krauss, ed.
Cambridge: MIT Press, 2017. 208 pp.; 53 b/w ills. Paperback $22.95 (9780262533454)
Last year saw the publication of two excellent books about William Kentridge, the first of which accompanied an exhibition of his work, paired with that of fellow South African artist Vivienne Koorland, curated by Tamar Garb at the Fruitmarket Gallery in Edinburgh. The three met in Cape Town the mid-1970s (Koorland painted Garb’s portrait in 1977), and it was Garb’s long relationship with Kentridge and Koorland that inspired her to curate the show.In the catalogue’s introductory... Full Review
May 1, 2018
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Adrienne L. Childs and Susan H. Libby, eds.
Exh. cat. Giles, 2017. 80 pp.; 55 color ills. Paperback $30.00 (9781907804496)
Cornell Fine Arts Museum at Rollins College in Winter Park, Florida, January 14–May 14, 2017
This catalogue of a relatively small but important exhibition at the Cornell Fine Arts Museum at Rollins College is devoted to depictions of black Africans and people of the African diaspora produced by Western European artists (British, French, Italian, German, Spanish, and Danish) between the mid-eighteenth century and the 1890s. The volume begins with a short, pithy introduction by David Bindman, the general editor of Harvard University Press’s Image of the Black in Western Art series.... Full Review
April 30, 2018
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Orianna Cacchione, Li Pi, Robyn Farrell, and Katherine Grube
Exh. cat. Chicago: Art Institute of Chicago, 2017. 96 pp.; 60 color ills. Hardcover $25.00 (9780300226225)
The Art Institute of Chicago, March 30–July 9, 2017
Zhang Peili: Record. Repeat. represents a significant scholarly work on Zhang Peili, the multimedia artist often acknowledged as China’s first video artist. The exhibition at the Art Institute of Chicago (AIC) featured twelve video works made between 1988 and 2007, including five large, multichannel installations. It opened with 30 × 30 (1988), considered the first... Full Review
April 30, 2018
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Melissa Barton
New Haven: Beinecke Rare Book & Manuscript Library, 2017. 144 pp.; 140 color ills. Paper over Board $25.00 (9780300225617)
Beinecke Rare Book & Manuscript Library (01/13/17–04/17/17)
In Archive Fever: A Freudian Impression, Jacques Derrida theorizes the archive in terms of two conflicting forces: the pleasure principle (eros) and the death drive (thanatos). Through these antithetical terms, he suggests that archives are defined by a struggle over what they preserve or save and what they forget or destroy. This leads Derrida to define the “archivization”&nbsp;process as that which “produces as much as it records the event.”<a... Full Review
April 30, 2018
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Dana Miller
Exh. cat. New Haven: Yale University Press, 2016. 232 pp.; 180 color ills.; 15 b/w ills. Hardcover $65.00 (9780300221862)
Whitney Museum of American Art, September 16, 2016–January 9, 2017;Wexner Center for the Arts, The Ohio State University, February 4–April 16 2017; K20 Museum in Düsseldorf, December 2 2017–April 8, 2018
Carmen Herrera: Lines of Sight was a groundbreaking exhibition at the Whitney Museum of American Art, and its catalogue—with essays by Dana Miller, Gerardo Mosquera, Serge Lemoine, and Edward J. Sullivan, over one hundred full color plates, and a chronology by Moñica Espinel—is the perfect supplement.Carmen Herrera (b. 1915, Havana, Cuba) is female, Cuban, and an abstract and minimalist painter and sculptor. Her art&nbsp;background is in architecture and painting, and she... Full Review
April 27, 2018
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Ara H. Merjian
New Haven: Yale University Press, 2014. 352 pp.; 83 color ills.; 160 b/w ills. Cloth $75.00 (9780300176599)
Ara Merjian’s commanding monograph, Giorgio de Chirico and the Metaphysical City: Nietzsche, Modernism, Paris, opens with a reading of Self-Portrait with Double, a picture de Chirico made in 1919, shortly before his epochal retour à l’ordre. In the painting, the artist sits beside a table in a perfunctory room, fixing the viewer with a sober, portentous stare and gesturing toward a marble slab held upright on the tabletop. True to the picture’s title, a ghostly... Full Review
April 27, 2018
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