Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Valerie J. Mercer
Exh. cat. Detroit: Detroit Institute of Arts, 2017. 80 pp. Cloth $19.95 (9780895581754)
Detroit Institute of Arts, Detroit, MI, July 23–October 22, 2017
Museum of African American History
Detroit: Museum of African American History, 2017.
Museum of African American History, Detroit, MI, July 23, 2017–January 2, 2018
At 3:15 a.m. in the early morning of July 23, 1967, members of the vice squad of the Detroit police department raided the second-floor apartment located at 9125 Twelfth Street. This after-hours drinking parlor, or “blind pig,” was a well-known establishment to patrons and police alike. As a familiar watering hole, the site served its black middle-class patrons when other segregated spaces in downtown Detroit would not, yet its illicit status provoked many raids, including nine in the... Full Review
October 10, 2018
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Emma Acker, ed.
Exh. cat. San Francisco and New Haven: Fine Arts Museums of San Francisco in association with Yale University Press, 2018. 244 pp.; 150 color ills. Cloth $65.00 (9780300234022)
de Young Museum, San Francisco, CA, March 24–August 12, 2018; Dallas Museum of Art, September 16, 2018–January 6, 2019
Cult of the Machine: Precisionism and American Art is one of the year’s major exhibitions. It was organized by the Fine Arts Museums of San Francisco to be shown at the de Young Museum before traveling to the Dallas Museum of Art. The exhibition takes a new look at the American painters who, in the years after World War I, developed an art expressive of American modern life by making use of the flattened, geometric, simplified forms of European modernism. Cult of the Machine... Full Review
October 5, 2018
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516 Arts, Albuquerque, NM, August 11–October 20, 2018.
At the independent museum 516 Arts in downtown Albuquerque, an exhibition looks at Puerto Rico after Hurricane Maria through themes of climate change, global weather patterns, colonial essentialism, Caribbean commodification, nationalism, Afro-Caribbean identity, bankruptcy, and local resiliency on the unincorporated US territory. Puerto Rico: Defying Darkness collects paintings, installations, videos, photographs, and multimedia works by sixteen Puerto... Full Review
October 3, 2018
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Patricia J. Fay
Series: Latin American and Caribbean Arts and Culture. Gainesville: University Press of Florida, 2017. 376 pp.; 122 color ills.; 16 b/w ills. Cloth $90.00 (9780813054582)
Patricia J. Fay’s book, Creole Clay: Heritage Ceramics in the Contemporary Caribbean, fills a void in the broad and diverse history of world ceramics. She does this by focusing our attention on an area of the world generally thought of as a vacation destination instead of a region rich in culture with complicated histories of colonialism, the African diaspora, slavery, hard-won independence, culture, and art, specifically ceramics. Fay deftly weaves the history of this region with... Full Review
October 1, 2018
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Mireille M. Lee
New York: Cambridge University Press, 2015. 382 pp.; 110 b/w ills. Hardcover $99.00 (9781107055360)
The study of the role of dress in ancient societies has seen a boom in recent years, absorbing new techniques in archaeology and approaches from “new dress history,” cultural studies, and theories of the body. Mireille Lee’s previous work has already been influential in putting Greek dress on the agenda, and this current volume offers new insights into dress as a communicative medium as well as synthesizing scholarship across a number of related subfields (gender, identity, ethnicity,... Full Review
September 28, 2018
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David Adjaye and Peter Allison
New York: Thames & Hudson, 2016. 400 pp.; 700 color ills. Cloth $50.00 (9780500343166)
This compact edition of David Adjaye’s exploration of Africa brings together in one volume the fruits of his eleven-year-long project to visit and visually document the capitals of the continent’s fifty-four countries. The front cover image of Adjaye, Africa, Architecture: A Photographic Survey of Metropolitan Architecture serves as a key to the intellectual and conceptual approach of the book: a map of Africa’s six climatic zones. This map, credited to his architectural practice... Full Review
September 26, 2018
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D. Medina Lasansky, ed.
Pittsburgh: Periscope, 2014. 640 pp.; 126 ills. Paperback $35.00 (9781934772256)
This collection of essays has attracted little attention since its publication in 2014, an oversight that should be remedied. Through nineteen essays and nine photo essays edited by D. Medina Lasansky, The Renaissance: Revised, Expanded, Unexpurgated places the early modern past and the postmodern present in dialogue with one another and examines the ways in which the Renaissance has been appropriated and received in Anglo-American popular culture. As Lasansky notes in the... Full Review
September 24, 2018
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Catharina Manchanda, ed.
Exh. cat. Seattle: Seattle Art Museum, 2018. 96 pp.; 59 color ills. Cloth $35.00 (9780300233896)
Seattle Art Museum, February 15–May 13, 2018
The title of Figuring History, an exhibition of twenty-six large-scale works by Robert Colescott (1925–2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971), signals at least two of the show’s significant themes. Both terms have double meanings. “History” refers to people and events of the past as well as to the history of art. “Figuring” indicates both the representations of the human figure and the artists’ attempts to “puzzle out the place and meaning of those... Full Review
September 21, 2018
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Franklin Sirmans and Yael Lipschutz, eds.
Exh. cat. New York and London: Prestel, Delmonico, and Los Angeles County Museum of Art, 2015. 128 pp.; 80  color ills.; 24 b/w ills. Hardcover $39.95 (9783791354347)
Los Angeles County Museum of Art, June 7, 2015–January 3, 2016
Noah Purifoy: Junk Dada takes an in-depth look at the artistic and biographical journey of the under-recognized African American artist and activist, Noah Purifoy (1917–2004) and his large-scale installation and home environment, the Joshua Tree Outdoor Museum (1989–2004). This lush catalogue, richly illustrated with eighty photographs by Fredrik Nilsen, features insightful essays by Yael Lipschutz, art critic and archivist of the Noah Purifoy Foundation in Joshua Tree, California;... Full Review
September 20, 2018
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Diarmuid Costello
New York: Routledge, 2018. 166 pp.; 12 color ills.; 18 b/w ills. Paper $29.95 (9780415684491)
Diarmuid Costello’s book brings together an abundance of historical and analytical debates to make clear that the philosophy of photography is a delineated field in its own right. Although the title On Photography: A Philosophical Inquiry reflects Susan Sontag’s seminal book and may bring to mind Vilém Flusser’s attempt to single-handedly philosophize photography, it is in no sense similar to those approaches. Costello has gathered a rich corpus of philosophical thoughts on two... Full Review
September 17, 2018
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