Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Alexander Alberro, ed.
Writing Art. Cambridge: MIT Press, 2016. 344 pp.; 47 color ills.; 18 b/w ills. Paperback $34.95 (9780262034838)
Working Conditions, the recent volume of Hans Haacke’s collected writings edited by Alexander Alberro, reveals the artist’s preoccupation with a handful of concepts since the late 1960s. Chief among these are the ideological structures that govern a culture’s understanding of art; the mechanisms of the “consciousness industry,” of which the art world is a small but relevant element; and, more specifically, the ways in which governments, corporations, museums, and other institutional... Full Review
March 14, 2018
Neil Levine
Princeton: Princeton University Press, 2015. 464 pp.; 84 color ills.; 336 b/w ills. Hardcover $39.00 (9780691167534)
Consider some iconic Frank Lloyd Wright buildings. Many of them are set in rural environments. Fallingwater is embedded in a dense forest in the secluded southwest corner of Pennsylvania. Taliesin (East) overlooks a lush green landscape fed by tributaries of the Wisconsin River. Taliesin West sits on the dusty foothills of the Tonto National Forest outside Scottsdale, Arizona. Moreover, the design of these buildings seems to reflect and harmonize with their natural environment. They are... Full Review
March 14, 2018
Oswaldo Chinchilla Mazariegos
New Haven: Yale University Press, 2017. 304 pp.; 99 color ills.; 71 b/w ills. Hardcover $65.00 (9780300207170)
The works of art commissioned by ancient Maya royal courts captivate and confound. Hieroglyphic captions accompany images of kings, queens, and noble families, but ancient voices on gods, the cosmos, and epic heroes are idiosyncratic at best, opaque at worst. Intuition guided early scholarly interpretations, buttressed by colonial texts, such as the sixteenth-century K’iche Maya Popol Vuh, which seemingly held a wealth of analogous descriptions for colorful Classic-period (ca. 250–900 CE)... Full Review
March 13, 2018
Amelia Jones and Erin Silver
Manchester: Manchester University Press, 2016. 424 pp.; 61 b/w ills. Paperback £ 18.99 (9780719096426)
Why is queer feminism not an established subdiscipline in art history or a more influential politic in curating, art criticism, or visual theory? Otherwise: Imagining Queer Feminist Art Histories, edited by Amelia Jones and Erin Silver, begins to answer these questions and to identify the problems this absence occasions or exacerbates. Twenty chapters by artists, scholars, and curators of different generations are framed by an introduction by Jones, an epilogue by Silver, and... Full Review
March 13, 2018
Heather Davis and Etienne Turpin, eds.
London: Open Humanities Press, 2015. 402 pp. Hardcover £ 14.13 (9781785420054)
T. J. Demos
Berlin: Sternberg Press, 2017. 132 pp.; 25 color ills. Hardcover € 18.00 (9783956792106)
Since the glaciers of the last ice age receded, 11,700 years ago, humanity has lived under the stable climatic conditions of the geologic epoch known as the Holocene. Agriculture flourished during this period, and sedentary societies sprouted up around the globe. Yet a growing number of scientists contend that human-induced alterations to the biosphere, beginning with the invention of the coal-fired steam engine in the eighteenth century and accelerating through the atomic age, have... Full Review
March 12, 2018
Margaret MacNamidhe
London and New York: I.B. Taurus, 2015. 256 pp.; 36 color ills. Hardcover $49.00 (9781780769370)
Margaret MacNamidhe’s Delacroix and His Forgotten World: The Origins of Romantic Painting seeks to revise the narrative of Romantic history painting in France by ascribing to the Salon of 1824 a much more transformative role than it has played in previous art historical accounts. MacNamidhe argues that the art criticism that the Salon of 1824 generated, not only regarding Eugène Delacroix’s provocative entry Scenes from the Massacres at Chios: Greek Families Awaiting Death or... Full Review
March 12, 2018
Bernard Herman
Eds. Mark Sloan and Lizz Biswell. Exh. cat. Charleston: Halsey Institute of Contemporary Art, College of Charleston, 2016. 214 pp.; 114 color ills.; 3 b/w ills. Hardcover $39.95 (9781467574488)
Exhibition schedule: Something to Take My Place: The Art of Lonnie Hollie, Halsey Institute of Contemporary Art at the College of Charleston School of the Arts, South Carolina, August 22–October 10, 2015.

Exhibition schedule: Lonnie Holley: I Snuck Off a Slave Ship, Atlanta Contemporary, January 12–April 2, 2017

A central (and not uncommon) problem confronts the curator of a white-box gallery who wishes to exhibit the work of Lonnie Holley, an Alabama-born artist and musician typically described as self-taught or vernacular: how to present the work within the conventions established by this type of institution while also acknowledging that the artist’s animating presence is necessary to the artworks’ significance. As Bernard L. Herman argues in a persuasive essay in Something to Take My Place:... Full Review
March 9, 2018
Sophie Orlando
Paris: Dis Voir, 2016. 128 pp.; 30 color ills.; 15 b/w ills. Paperback $24.00 (9782914563765)
“It would be a mistake to emphasize only the socio-political determinants of mass emigration and not to fully understand the actual aims of individual artists who left their countries of origin simply to fulfill their artistic ambitions abroad. We should also recognise the peculiarity of these ambitions, which are not fulfilled merely by a success in the market-place but by the artist’s entry into the history of art.”—Rasheed Araeen, The Other Story: Afro-Asian Artists in... Full Review
March 8, 2018
Shira Brisman
Chicago: University of Chicago Press, 2017. 320 pp.; 49 color ills.; 86 b/w ills. Hardcover $55.00 (9780226354750)
Albrecht Dürer’s importance rests on many factors besides artistry. His capabilities as draftsman and storyteller, his gift for absorbing foreign artistic styles, and all the ineffables he termed ingenium: these would have been capabilities appreciated only in Nuremberg and the vicinity had there not been a new technology for broadcasting talent. It was perhaps market saturation that led Dürer to printing. Nuremberg had enough painters to meet its needs. But already in Michael... Full Review
March 7, 2018
Agustín Arteaga
Exh. cat. Dallas: Dallas Museum of Art, 2017. 360 pp.; 209 color ills.; 87 b/w ills. Hardcover $50.00 (9780300229950)
Grand Palais, Paris, October 5, 2016–January 23, 2017; Dallas Museum of Art, March 12–July 16, 2017
“The narrative of this exhibition is a journey that sheds new light and permits new reflections on what has come to be oversimplified in the figures of ‘The Big Three’—Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros—and in the ubiquitous phenomenon of Frida Kahlo” (20), writes Agustín Arteaga, the newly appointed Eugene McDermott Director of the Dallas Museum of Art (<span... Full Review
March 6, 2018