Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Yve-Alain Bois
Paris: Cahiers d'Art, 2015. 383 pp.; 450 color ills.; 483 b/w ills. Cloth $395.00 (9782851171900)
In late December 2015, American abstract master Ellsworth Kelly passed away at the age of 92. A month and a half before his death, Kelly had said to The Guardian that he “want[ed] to live another 15 years.” This zest for life came from his unwavering commitment to art making. In a career that spanned almost seven decades, Kelly produced over 1150 paintings, reliefs, sculptures, and large-scale commissions—works of bold shape and color that reveal his distinctive approach to... Full Review
April 4, 2018
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Gregory Battcock
Ed. Joseph Grigely. Cologne, Germany: Verlag der Buchhandlung Walther Konig, 2016. 224 pp.; 38 color ills. Paperback $28.00 (9783863359331)
In the present cultural moment, the unearthing of previously obscure queer heroes is a much-needed balm to the rightward swing of the political pendulum. When asked to write this review, I admittedly came seeking some of that particular brand of soothing. I approached Joseph Grigely’s edited volume Oceans of Love: The Uncontainable Gregory Battcock as a curiosity of those heady days of queer New York, before the pall of the plague years descended upon us all. My experience of... Full Review
April 3, 2018
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Charmaine A. Nelson
New York: Routledge, 2016. 416 pp.; 16 color ills.; 26 b/w ills. Hardcover $128.00 (9781409468912)
In the Montreal Museum of Fine Arts appears a portrait of an Afro-Caribbean woman bearing a platter of tropical fruit and seated in front of a mountainous landscape. She is likely Marie-Thérèse Zémire, enslaved in Haiti and then in Montreal by the Québec-born François Malépart de Beaucourt. Beaucourt, an artist by trade, painted Zémire in 1786. The painting was originally titled Portrait of a Negro Slave and was renamed Portrait of a Haitian Woman by museum curators in the... Full Review
April 3, 2018
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Janet Bishop and Katherine Rothkopf, eds.
Exh. cat. New York: Prestel, 2016. 184 pp.; 120 color ills.; 14 b/w ills. Hardcover $49.95 (9783791355344)
Baltimore Museum of Art, October 23, 2016–January 29, 2017; SFMOMA, March 11–May 29, 2017
An ambitious exhibition, Matisse/Diebenkorn delivers on its goal to delineate the influence of Henri Matisse (1869–1954) on Richard Diebenkorn (1922–93), showing a remarkably significant number of parallels between two modern, avant-garde artists. However, it does much more, and not only in its review of Diebenkorn: it also provides a nuanced consideration of the concept of influence, thereby making a significant contribution to the field of American art, as well as comparative... Full Review
April 3, 2018
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Shantrelle P. Lewis
Exh. cat. New York: Aperture, 2017. 144 pp.; 4 color ills.; 140 b/w ills. Hardcover $35.00 (9781597113892)
Brighton Photo Biennial, United Kingdom, October 1–31, 2016; Lowe Museum of Art, Miami, February 23–May 21, 2017
In February 2015, music artist Jidenna released the video to his first single, “Classic Man.” Directed by Alan Ferguson, the video opens with Jidenna getting dressed: he tightens his tie up to his club collar, fastens his cuff links, and steps into his cap-toe oxfords. In a subsequent scene, he walks the streets of Brooklyn surrounded by a group of well-dressed black men in suits. When he spots two young men being handcuffed by two police officers, he intervenes. We don’t know... Full Review
April 2, 2018
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Thomas Crow
Sydney: Power Publications, 2017. 144 pp.; 50 color ills. Paperback $30.00 (9780909952990)
The role that religion has played in the cultural production of the last three centuries is something that many art historians have been slow to recognize and/or hesitant to acknowledge. The potential pitfalls of pursuing this subject are myriad, the most obvious being that of appearing to endorse any theological doctrine—a cardinal sin against post-Enlightenment scholarly disinterestedness. For historians of modern art, consideration of religion is particularly difficult given the extent... Full Review
April 2, 2018
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Tacita Dean
London: MACK, 2016. 112 pp.; 112 color ills. Hardcover $95.00 (9781910164280)
Pier Paolo Pasolini concluded his 1971 film The Decameron, adapted from Boccaccio’s fourteenth-century text, with a question: “Why complete a work,” the director asks, playing a disciple of Giotto in the film, “when it’s so beautiful just to dream it?” Pasolini’s character poses the question while gazing up at a recently completed fresco, and his thoughts have already turned to a future project, glimpsed earlier in a dream. After the line is delivered, the film ends and the credits... Full Review
April 2, 2018
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The Off-Staging of William Forsythe’s Dance in the MuseumStellentstellen (2016) and Acquisition (2016) by William Forsythe. Stellentstellen, performed by Rauf (Rubberlegz) Yasit and Riley Watts. Acquisition, presented by students of the University of Southern California Glorya Kaufman School of Dance. Los Angeles County Museum of Art, October 16, 2016.Reviewed by Paola Escobar, Yanting Li, Julia Meyer, Marissa Osato, and Ariel... Full Review
March 29, 2018
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Fredie Floré and Cammie McAtee, eds.
New York: Routledge, 2017. 214 pp. Hardcover $124.00 (9781472453556)
One of the critic Mario Praz’s (1896–1982) achievements is that he applied art-historical methods to interiors. His writing elevated the status of interiors to positions previously held by painting, sculpture, and architecture. Praz’s books from the 1960s constituted a call that the “minor” arena of decorative arts be taken seriously. Yet, with notable exceptions, his efforts to edge the decorative arts, chiefly furniture, onto an equal plane with art and architecture went largely... Full Review
March 29, 2018
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Lisa Farrington
New York: Oxford University Press, 2016. 480 pp.; 230 ills. Hardcover $69.95 (9780199995394)
Lisa Farrington’s African-American Art: A Visual and Cultural History is invaluable for those teaching surveys of African American art as well as any reader interested in the subject. Staple publications in this area include Sharon Patton’s African-American Art (Oxford: Oxford University Press, 1998) and Richard J. Powell’s Black Art and Culture in the 20th Century (New York: Thames and Hudson, 1997; reproduced in its second edition as Black Art: A... Full Review
March 29, 2018
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