Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar or by entering terms in the search bar above.

Recently Published Reviews

Exhibition schedule: Walters Art Museum, Baltimore, February 15, 2009–May 24, 2009
The Saint John's Bible: A Modern Vision through Medieval Methods treated its audience to a journey through a “Bible for the 21st century,” to quote an exhibition wall text. The project is the fruit of a decade-long collaboration undertaken by an international team of master calligraphers and a community of theologians and scholars from Saint John's University and Abbey in Collegeville, Minnesota. This exhibition was the first to place selected pages from the seven-volume Saint John’s Bible within the broader context of the book arts through time and across world cultures. The 22 bifolio openings displayed here, selected from… Full Review
July 2, 2009
John Onians
New Haven: Yale University Press, 2008. 239 pp.; 42 b/w ills. Cloth $40.00 (9780300126778)
It is just ten years since Semir Zeki, a neuroscientist from London University, published his Inner Vision: An Exploration of Art and the Brain (Oxford: Oxford University Press, 1999). It was a small book, animated by a big idea: that recently established neurological facts about vision could go a long way toward explaining how the visual arts work. He suggested, for example, that artists interested in motion tend to paint with a more restricted palette than artists who focus on immobility, and that this tendency arises from the fact that perceptions of color, form, and motion are registered in different… Full Review
July 1, 2009
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Jimmie Durham
Paris: Musée d’Art Moderne de la Ville de Paris, 2009. 232 pp.; many color ills. Cloth £45.00 (9782759600847)
Exhibition Schedule: Musée d’Art Moderne de la Ville de Paris, January 30–April 12, 2009
In making art, Jimmie Durham sometimes lets his materials do the sculpting. As Encore tranquillité (2008) reveals, the forces he unleashes from seemingly lifeless objects can be startling. The work features an enormous rock settled atop the smashed halves of a small, single-engine airplane. Originally displayed in an old Russian airfield outside of Berlin, it was relocated to the foyer on the second floor of the Musée d’Art Moderne de la Ville de Paris as the centerpiece of Rejected Stones, a major exhibition of Durham’s “European” works from the past sixteen years. The piece also made an appearance on… Full Review
July 1, 2009
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Kenneth Baker
New Haven: Yale University Press, 2008. 160 pp.; 1 color ills. Cloth $30.00 (9780300138948)
There are few works of art produced in the United States since the Second World War that have experienced a more uneven and generally unusual reception than The Lightning Field by Walter De Maria of 1977. Alongside Michael Heizer’s Double Negative (1969) and Robert Smithson’s Spiral Jetty (1970), The Lightning Field iconically defines the type of large, site-specific Earthwork characteristic of Land Art’s critical and popular ascension in the 1960s and 1970s. Yet despite its centrality to the formation of Land Art, critics and scholars treat The Lightning Field more often as a splashy illustration for book jackets and magazine… Full Review
June 24, 2009
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Kenneth Bendiner
London: Reaktion Books, 2004. 240 pp.; 79 color ills.; 68 b/w ills. Cloth $35.00 (9781861892133 )
Kenneth Bendiner’s Food in Painting: From the Renaissance to the Present presents a novel survey of food imagery in many guises—as still life; market, kitchen, and genre scenes; abstractions; and even landscapes. Covering art from the past six centuries in the West, he emphasizes paintings, while including a few works in other media (manuscripts, fresco, watercolor, and sculpture). The well-chosen illustrations—ranging from the Limbourg Brothers’ January (1413–16) in the Très Riches Heures du duc de Berry, to two examples from 1996 by Wim Delvoye and Damien Hirst (Susan, Out for a Pizza—Back in Five Minutes—George and This Little… Full Review
June 24, 2009
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Charles Merewether and Rika Iezumi Hiro, eds.
Exh. cat. Los Angeles: Getty Research Institute, 2007. 152 pp.; 28 color ills.; 39 b/w ills. Cloth $39.95 (9780892368662)
Exhibition schedule: Getty Research Institute, Los Angeles, March 6–June 3, 2007
How did the concept of “Anti-Art” arise in the context of postwar Japan, and what problems did it address in the postwar art world? The postwar period in Japan was a time of intense debate and speculation; this included a search for terms describing new art practices that stepped outside established genres such as painting and sculpture. Artists brought artworks out of private spaces and into everyday places such as city streets, trains, and parks. In a 1966 letter to the editor of the Dokusho Shinbun (Reading Newspaper), the artist Jirō Takamatsu identified a shift in the relationship between art… Full Review
June 24, 2009
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Ian Kennedy and Julian Treuherz
Exh. cat. Kansas City and Minneapolis: Nelson-Atkins Museum of Art and Walker Art Gallery in association with Yale University Press, 2008. 288 pp.; 210 color ills.; 48 b/w ills. Cloth $65.00 (9780300138788)
Exhibition schedule: Walker Art Gallery, National Museums Liverpool, Liverpool, April 18–August 10, 2008; Nelson-Atkins Museum of Art, Kansas City, September 13, 2008–January 18, 2009
The Railway: Art in the Age of Steam is a beautifully mapped journey. Visual metaphors for travel abound in the expansive design and double-page color layouts reproducing the spaces and social relations synonymous with the train: crowded stations, private compartments, tourist spectacles, conquest narratives. Interspersed throughout the book are eye-filling details that mirror the fragmented, mobilized gaze of the traveler. The text includes a generous selection of paintings, some well known, others not. But it is the wealth of posters, photographs, and prints that convey the economic ties between the railway industry, mechanical reproduction, and visual consumption. Together, the book’s… Full Review
June 16, 2009
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Sarah Schrank
Philadelphia: University of Pennsylvania Press, 2008. 256 pp.; 42 b/w ills. Cloth $39.95 (9780812241174)
Writing in the aftermath of the culture wars of the late 1980s and early 1990s, Los Angeles Times art critic Christopher Knight remarked that, “America’s favorite pastime (after baseball) is to periodically flirt with the strangling embrace of the loyalty oath” (Last Chance for Eden, Los Angeles: Art Issues. Press, 1995). In Art and the City: Civic Imagination and Cultural Authority in Los Angeles, historian Sara Schrank documents the role of visual art in provoking such reactionary political forces throughout the history of twentieth-century Los Angeles. She locates moments when artists and progressive arts professionals challenged the… Full Review
June 16, 2009
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Mark W. Scala, ed.
Exh. cat. Nashville: Frist Center for the Visual Arts in association with Vanderbilt University Press, 2009. 160 pp.; 74 color ills.; 4 b/w ills. Paper $29.95 (9780826516220)
Exhibition schedule: Frist Center for the Visual Arts, Nashville, January 23–May 10, 2009; Phillips Collection, Washington, DC, June 20–September 13, 2009; Memorial Art Gallery, University of Rochester, October 23, 2009–January 3, 2010
In his introduction to the catalogue accompanying the exhibition Paint Made Flesh, curator Mark Scala writes that the show seeks to trace a history of “the depicted body as a metaphor for the relationship between self and society as it has changed throughout the decades following World War II” (1). It does so admirably, if incompletely, and without making the recalibrations to larger understandings of postwar painting that seem to be its latent promise. As such, it is an exhibition both wildly pleasurable and quietly frustrating, leaving viewers with the sense that the magnificent group of works is something… Full Review
June 16, 2009
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Charles C. Eldredge
Chapel Hill and Augusta: University of North Carolina Press in association with Morris Museum of Art, 2007. 112 pp.; 8 color ills.; 53 b/w ills. Cloth $29.95 (9780807830871)
In 1927, a horrible flood debilitated an enormous swath of land flanking the Mississippi River, reaching from southern Missouri down through Louisiana and into the Delta, causing almost $125 million in damage. Thirteen years later, Life magazine commissioned the Regionalist artist John Steuart Curry to depict a scene in which then-Secretary of Commerce Herbert Hoover witnesses and oversees the government’s rescue efforts on the banks of the deluged Mississippi. The magazine reproduced the over five-feet-wide painting on May 6, 1942, as part of its Modern American History series, which had previously punctuated important historical events with illustrations of works by… Full Review
June 10, 2009
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Elizabeth Smith
Exh. cat. Ostfildern-Ruit: Hatje Cantz in association with Musuem of Contemporary Art, Chicago, 2008. 128 pp.; 94 color ills.; 12 b/w ills. Cloth $45.00 (9783775723015)
Exhibition schedule: Museum of Contemporary Art, Chicago, October 25, 2008–February 1, 2009; Whitney Museum of American Art, New York, March 12–May 31, 2009; Fondation Beyeler, Riehen/Basel, November 1, 2009–January 24, 2010
The exhibition Jenny Holzer: PROTECT PROTECT demonstrates a renewed validity for the artist's LED signs, which have long been considered canonical to both contemporary art and feminist discourses. Having made these electronic installations for more than twenty-five years, Holzer seemingly predicted the appearance of the ubiquitous ticker that now streams constantly at the base of television and computer screens. She recognized early on that electronic technology was a crucial site of viewing. The means of delivering information has taken on a whole new significance since the invention of the internet and 9/11. For the exhibition's stop at the Museum of… Full Review
June 10, 2009
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Anna Green
Ashgate Studies in Childhood, 1700 to the Present Aldershot, UK: Ashgate, 2007. 342 pp.; 10 color ills.; 89 b/w ills. Cloth $124.95 (9780754654605)
In her rigorous, provocative study, Anna Green engages the issues of modernism, modernity, and spectacle in later nineteenth-century Paris. Approaching the subject from the perspective of a social historian, she draws upon the writings of Charles Baudelaire and anchors her text in the theories of Walter Benjamin, Karl Marx, Michel Foucault, Georges Bataille, and T. J. Clark. Paintings by Édouard Manet appear throughout the book, and his is often the gaze through which modernity is seen. However, if some of the components of Green’s book sound familiar, it is clear from the beginning that she has taken an original tack… Full Review
June 10, 2009
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Colum Hourihane
University Park and Princeton: Pennsylvania State University Press in association with Index of Christian Art, Princeton University, 2008. 368 pp.; 216 b/w ills. Paper $35.00 (9780976820277)
The fifteen papers collected in this book were presented at a conference in honor of Walter Cahn at the Index of Christian Art, Princeton, in 2007. As Colum Hourihane notes in his introduction, the term “Romanesque” is fraught with difficulties, and one of the themes that runs through many of the papers is a questioning of just what constitutes Romanesque style. As is usually the case with collections of this kind, however, there is no unifying theme to the volume other than the contributors’ attempts to address the subjects and questions that have been central to Cahn’s work. The… Full Review
June 2, 2009
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Harriet Guest
New York: Cambridge University Press, 2007. 270 pp.; 50 color ills.; 32 b/w ills. Cloth $99.00 (9780521881944)
In July of 1774, Captain James Cook arrived back in London from his second voyage. With him was a man named Mai, a native of an island called Raiatea in the South Pacific. Cook’s intention was to showcase a human souvenir—a live specimen—who would help the British understand the exotic nature of his circumnavigation. Mai remained in England for two years and returned to the South Pacific in 1776. While in England, he sat for portraits and became a national curiosity. Harriet Guest, in her book about the visual culture that attended Cook’s voyages, quotes Westminster Magazine, which claimed… Full Review
June 2, 2009
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Michael Fried
New Haven: Yale University Press, 2008. 410 pp.; 70 color ills.; 90 b/w ills. Cloth $55.00 (9780300136845)
Two related projects are combined in Michael Fried’s well-observed, conceptually ambitious, and beautifully written new book, Why Photography Matters as Art as Never Before. First, the text presents a formal and theoretical justification of tableau photography since the late 1970s, arguing that the large-scale art photography of Jeff Wall, Thomas Struth, Jean-Marc Bustamante, Luc Delahaye, Thomas Ruff, Andreas Gursky, Hiroshi Sugimoto, Rineke Dijkstra, Beat Streuli, Philip-Lorca diCorcia, Candida Höfer, Thomas Demand, and Bernd and Hilla Becher, among others, constitutes a significant trajectory within contemporary art. Second, Fried puts forward an important reevaluation of his own critical and historical account… Full Review
May 27, 2009
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