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Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar or by entering terms in the search bar above.
Recently Published Reviews
A much-needed book in Japanese art history, Ikumi Kaminishi’s Explaining Pictures: Buddhist Propaganda and Etoki Storytelling in Japan, an analysis of the performative art of “picture deciphering,” or etoki, is also essential to anyone studying the uses of images in society. Covering the gamut of disciplines from art history to ethnography to religion, Kaminishi’s book is a good attempt at interdisciplinary practice and how that practice can be used to uncover the overlays of human imagination in the use of visual images.
Kaminishi explains that once etoki is understood as serving as propaganda, it will…
Full Review
September 6, 2006
In the last two decades, scholars in art history, cultural history, and American studies have produced a host of important texts examining the once aesthetically maligned decade of the 1930s, according it a dignified place in the history of American visual production. In expanding this historiography, scholars have developed new historical and cultural explanations for images, including their content, settings, and audiences. Armed with contextual methods, with postmodern identity theory, and highly sensitive to period culture, politics, economics, and institutional constraints, writers have interpreted murals, prints, easel paintings, photography, and design. In these studies we learn of the workings of…
Full Review
September 6, 2006
Writing a catalogue raisonné has become one of the most thankless tasks in art history. The inseparable association of this type of scholarly publication with the traditional valorizing of the individual master (even when not labeled a “genius”) makes many readers look askance at such catalogues. Moreover, the results of one individual’s evaluative process of connoisseurship are often seen as overly subjective, not that the results of group connoisseurship, as with the Rembrandt Research Project, have fared much better. Yet the catalogue raisonné still thrives as a scholarly genre, and many—academics, curators, dealers, collectors, and amateurs—depend on its contributions
These…
Full Review
August 8, 2006
In this elegant publication, Victor Schmidt surveys small Tuscan panel paintings from the duecento and trecento in order to search for the answer to a single question: How did such works function when they were originally created? While a wide variety of such works survives from this period, they are largely without context; information on patronage and provenance for small panels is sparse, as is documentary evidence on usage. Schmidt’s most basic body of evidence is the panels themselves, which demonstrate a wide variety of type and of iconography
Especially problematic is the lack of information on the patrons and/or…
Full Review
August 8, 2006
As an exhibition, A House of Art: Rubens as Collector provided the unique experience of showing a substantial portion of Rubens’s personal art collection within his own house. When I visited the exhibition for the first time, a pail and mop lay inadvertently forgotten in a corner, further adding to the domestic atmosphere. Rarely is an exhibition as perfectly suited to its setting, and for this apt pairing the curators Kristin Belkin and Fiona Healy deserve to be congratulated. The catalogue cannot duplicate the in situ experience, but it provides the important alternative perspective of tracking the transformation of the…
Full Review
August 7, 2006
Recent history has witnessed renewed interest in the work and life of the Italian artist Giorgio Morandi (1890–1964), famous for the muted tones and graceful volumes that epitomize his intimate still-life and landscape paintings, unadorned compositions that defy association with a single artistic movement. Characterized as stubbornly solitary, Morandi filled his canvases with barren combinations of forlorn bottles, vases, and other miscellaneous containers, producing clusters of architectonic bodies that allude to cathedrals, sculptures, and even the human figure in images whose “ambiguity of figure and ground” arrest the viewer (103). The Bolognese painter’s subdued landscapes oscillate between meditative abstract floating…
Full Review
August 7, 2006
Published in conjunction with the exhibition by the same title, The Essence of Line: French Drawings from Ingres to Degas is a study of the superb nineteenth-century French drawings collections of the Baltimore Museum of Art, the Walters Art Museum, and the Peabody Institute Art Collection of the Maryland State Archives (on loan to the Baltimore Museum of Art). The core holdings of drawings at each institution are private collections amassed by Baltimoreans in the nineteenth and early twentieth centuries that, quite remarkably, have remained intact, thereby providing scholars a window into period taste and connoisseurship.…
Full Review
August 2, 2006
The last word on the history of the New York School is far from having been written. Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses announces a new chapter in the study of mid-century art and criticism by attempting to conclude one. At the end of her preface, Caroline Jones reveals, “More than anything else I’ve written, this book exists to end its subject—to construe the Greenberg effect, in order to be done with it” (xxix). Her central claim is that Greenberg’s art criticism served to limit and reduce experience to the visual, which, in the process…
Full Review
August 2, 2006
Paolo Veronese is in the news these days, enjoying the spotlight in two recent monographic exhibitions. Last year’s Veronese: Gods, Heroes, and Allegories, the Museo Correr in Venice, treated a wide array of the artist’s mythological works. Now, Veronese’s Allegories: Virtue, Love, and Exploration in Renaissance Venice at the Frick Collection, a more focused exhibit curated by Xavier Salomon, gathers together all five of the large allegorical canvases by the artist that have come to rest on US soil. These shows mark something of a renaissance for Veronese, which complements the current profusion of exhibits on Venetian topics: from…
Full Review
August 2, 2006
Allen Hockley’s long-awaited monograph on Isoda Koryūsai (1735–90) is a welcome addition to the literature on Japan’s eighteenth-century print culture. Not only does he focus on one of the too-long neglected masters of the period, he also presents a fine analysis of some of Koryūsai’s major themes as well as his best-known series of single prints, Models for Fashion: New Designs as Fresh Young Leaves. That this study is, indeed, long overdue can be inferred from the fact that Koryūsai has received little scholarly attention in spite of the sheer number of designs for which he was responsible. As…
Full Review
August 1, 2006
Leipzig is the new Berlin—at least that is what I have been told. Rents are still what Berlin rents used to be, after reunification but before the government arrived. Many artists have already moved their Berlin or Cologne studios to Leipzig. It is like Prenzlauer Berg or Friedrichshain circa 1995, a combination of advanced, though scenic, urban decay pierced through with startling additions like high-tech (West) German mass transit or gleaming new bakeries and department stores. There is a developed Leipzig scene—the spreading waves of (West German-style) gentrification that includes clubs, restaurants, and of course, art galleries
Another sign of…
Full Review
August 1, 2006
The 9th International Istanbul Biennial, distributed across seven sites (Deniz Palace Apartments, Garanti Building, Antrepo No. 5, Tobacco Warehouse, Bilsar Building, Platform Garanti Contemporary Art Center, and the Garibaldi Building) used the city of Istanbul as not only its host but its principal theme. Visitors walked to and from each site, guided by the Italian Gruppo A12’s fuchsia paint on the venues’ façades and windows, occasionally getting lost in the streets of the Beyoğlu district. Rather than finding such wanderings a burden, visitors enjoyed the treats and surprises wherein they were routinely rewarded with the discovery of buildings that would…
Full Review
July 25, 2006
With In Search of Perfect Harmony, a recent exhibition in the Art Now cycle at Tate Britain, British artist Jamie Shovlin cements his recent work’s affinity to what Hal Foster has described as the “archival impulse” prevalent in contemporary artistic production. The three works that comprised Shovlin’s exhibition all take root in the kind of idiosyncratic probing into a history, philosophy, or experience that Foster sees as the foundation of the “archival impulse.” While Foster’s descriptive moniker for this kind of work reminds us that such gestures have already become common practice in contemporary art, Shovlin’s…
Full Review
July 19, 2006
Francisco de Goya's Los Caprichos (1799), a series of eighty etchings and aquatints, are widely known as satiric criticisms of human ignorance and folly. The artist is democratic in his critical assessment of society and its customs, from the superstitious beliefs of the lower classes to the genealogical obsession of aristocrats. Although the series includes themes particular to Spain at the turn of the century, Goya often veils these fixed references with ambiguous meanings, settings, and figures. Thus, many of the critiques expressed pictorially by Goya have application for locations and times outside of late-eighteenth-century Spain, giving the series a…
Full Review
July 13, 2006
Moche Portraits from Ancient Peru is a welcome addition to the literature on the art of ancient Peru. The Moche were a state-level society who prospered in the first seven or so centuries AD on the desert coast of what is now northern Peru. They were prolific and prodigious artists in many media, the most famous being metalwork, the most numerous being ceramics. The gold-filled graves at Sipán and other Moche sites have been discovered in the last twenty years, and much progress has been made in our knowledge of this important ancient American society and its art.
Christopher…
Full Review
July 5, 2006
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