Recently Published Reviews

Clive Getty's scholarship has long held a central place within the secondary literature on the French caricaturist and illustrator Grandville (Jean Ignace Isidore Gerard, 1803–1847). Alongside important studies in French by Annie Renonciat and Philippe Kaenel, Getty's work has served as a necessary corrective to the ahistorical, Surrealistic, and Freudian interpretations of Grandville's art that dominated study of the artist for much of the twentieth century. While the art historian and painter Laure Garcin together with the artist Max Ernst revived interest in Grandville, whose reputation was neglected for nearly a century after his death, they also perpetuated the myth… Full Review

The Victoria and Albert Museum’s small but fascinating exhibition Raphael: Cartoons and Tapestries for the Sistine Chapel brought together four tapestries from the Vatican Museum’s famous ten-piece Acts of the Apostles set and seven of Raphael’s original full-scale designs for the weavings, which are housed at the V&A. The show offered an unprecedented opportunity to compare preparatory and final works, each a Renaissance masterpiece in its own right. In addition, a small group of drawings and prints related to the project, on loan from Her Majesty Queen Elizabeth II, the Louvre, and from the V&A’s own collection, focused attention on… Full Review

Jan Gossart has long been overdue a thorough modern reassessment. A decisive figure in the transformation of South Netherlandish art in the 1510s and 1520s, famous since his day for bringing knowledge of Antiquity and the rendering of mythological nudes from Italy to the Netherlands, Gossart—the spelling of his name here rightly restored to the way he signed it—is far less well-known today than his position and achievement deserve. The last comprehensive exhibition of his work was held forty-six years ago in Rotterdam and Bruges, and he has never been the subject of a U.S. exhibition. For this… Full Review

In The Temperamental Nude: Class, Medicine and Representation in Eighteenth-Century France, the late Tony Halliday studies a neglected facet of visual representation in Enlightenment culture, namely, the revival and significance of the theory of the temperaments and its impact on the depiction of the human figure, specifically the male figure, in painting, sculpture, and prints. His study focuses principally on mid- to late eighteenth-century France, with particular emphasis on the Revolutionary period. The contested idea of the new citizen (who was male according to French convention and law) and his fluctuating image in the visual arts during the Revolution… Full Review

A compendium of twelve essays written over the last three decades, Charles Harrison’s Since 1950: Art and Its Criticism offers a punchy yet partial picture of the critic and historian’s take on visual art at the end of the twentieth century. Sadly, this volume must also serve as the coda to the author’s career as curator, researcher, teacher, and longtime collaborator with Michael Baldwin and Mel Ramsden in the collective art practice of Art & Language. After a long struggle with cancer, Charles Harrison died on 6 August 2009 at the age of 67. Presenting much more than an… Full Review

David Whitehouse is the executive director of the Corning Museum of Glass and has embarked on the ambitious task to publish comprehensive catalogues of ancient and Islamic glass in his institution. The Roman, Sasanian, and Post-Sasanian publications are on the shelves (Roman Glass in The Corning Museum of Glass, vols. 1–3, 1997, 2001, 2003; Sasanian and Post-Sasanian Glass in The Corning Museum of Glass, 2005), while the present review deals with the first of three volumes dedicated to the glass holdings from the Islamic world. This book is entirely devoted to cut and engraved objects; the two… Full Review

Two decades ago, a crowd of Afghanistan’s VIPs gathered at the Koti Bagcha in the Presidential Palace for an exclusive one-day showing of a small collection of the country’s rarest antiquities. The collections had been securely stored in the vaults below the Presidential Palace during the later years of the Soviet occupation (1979–89), owing to a group of concerned Afghan officials who organized their protection under the auspices of then-President Mohammad Najibullah. After the exhibition, the pieces were returned to the bank vaults and a year later the country was amid the throes of the Mujahideen civil war (1992–94). It… Full Review

The Alternate Nation of Abanindranath Tagore is a revisionist study of the leading artist of the early twentieth-century Bengal Art School. Abanindranath Tagore (1871–1951) was the vice principal of the Government School of Art in Calcutta from 1905–1915. Tagore’s art and writings helped spawn a nationalist art movement known as New Indian Art (Nabya Bharat Shilpa) tied to the larger cultural nationalism of the Bengali Renaissance, in which he and several family members, including his uncle, the famous poet Rabindranath Tagore (1861–1941), played a leading role. The book argues that overemphasis on Tagore’s involvement in the nationalist art movement has… Full Review

There are few things as challenging as creating large-scale cultural events for cities. Numerous stakeholders, funding bodies, and public agencies must be counseled, appeased, and included in the process, if not directly in the artistic program. Local audiences and interests should form an integral part of the event’s offering, while media and tourist markets yearn for the high-end, world-exclusive tier of cultural engagement. Add to these factors the mystical quest to create a “something for everyone” program to please all of the above, and one begins to understand the complications at hand. It is therefore admirable that someone should step… Full Review

The Pre-Raphaelite Lens: British Photography and Painting, 1848–1875, on view at the National Gallery of Art in Washington, DC, was a concise and handsome exhibition that addressed an ambitious topic: the dynamic interaction between artistic media from the late 1840s until the 1870s. The artistic movement known as Pre-Raphaelitism provided the lens that focused this investigation. Photography was still in its first decade as public knowledge when the young artists who styled themselves the Pre-Raphaelite Brotherhood met in London in 1848. Nevertheless, as Diane Waggoner, the associate curator in the Department of Photographs and organizing curator of the exhibition… Full Review

In an effort to counteract the negative reputation Iran has earned in parts of the West during the past few decades, many Iranians and Westerners alike point to the country’s “glorious past”—the Achaemenid Empire, for example, where the so-called first charter of human rights was fabricated. Iranians point with pride to poets and other literary greats their country has produced. The verses of the national epic—Shahnameh (Book of Kings), written by Ferdowsi in the eleventh century—are frequently recited, and Hafez-reading (fal-e Hafez) is part of many Iranians’ everyday life. Sa’di’s medieval prose and poetry—recognized for their quality… Full Review

Art and Globalization, edited by James Elkins, Zhivka Valiavicharska, and Alice Kim, results from the first of the Stone Seminars at the School of the Art Institute of Chicago. Focusing on what James Elkins calls “biennale culture”—i.e., the global aspects of contemporary art—the book is an edited transcript of the seminar, or, rather, a transcript of select parts of the seminar. Readers are thus voyeurs, eavesdropping on a conversation but doing so as if entering the middle of a dialogue well in progress because they encounter only parts of it, not the whole, and they can’t interject insights, except… Full Review

Although there have been piecemeal studies of Emperor Maximilian I’s literary and art patronage, the material productions of his court have been difficult to measure. Chief among the reasons for this are its lack of a centralized seat, a vast and shifting stable of artists in his charge, the preponderance of ephemera that marked their efforts, and the unfinished nature of most of these. Larry Silver’s Marketing Maximilian ambitiously ties up these loose threads in Maximilian’s art worlds, reconstructing a program in his distracted and somewhat frenetic patronage, and reinvigorating this context for the field of print studies. … Full Review

It makes perfect sense. Why wouldn’t George Lucas and Steven Spielberg champion and collect the art of Norman Rockwell? They’ve all shared enviable talents at telling engaging stories about the dreams that make ordinary people heroic. Their stories evoke feelings of nostalgia for an earlier time of innocence—a mythic construction at the heart of many popular narratives of the “American” experience. Indeed, Lucas and Spielberg have developed substantial collections of Rockwell’s paintings and large-scale preparatory drawings, which senior curator Virginia Mecklenburg organized in a stunning display of almost sixty works at the Smithsonian American Art Museum, the exhibition’s… Full Review

Along with the journal Mechademia (also published by the University of Minnesota Press) and the 2008 anthology entitled Japanese Visual Culture (Mark MacWilliams, ed., Armonk, NY: M. E. Sharpe, 2008), Robots Ghosts and Wired Dreams constitutes a significant English-language contribution to the intellectual analysis of contemporary Japanese science fiction and otaku (obsessive fan) culture centering around manga, anime, and video games. This volume brings together essays by noted scholars working in Japan (e.g., Kotani Mari, Azuma Hiroki, Tatsumi Takayuki), in addition to works by researchers of Japanese science fiction and anime who are based in Northern American academe (Susan Napier… Full Review