Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar or by entering terms in the search bar above.

Recently Published Reviews

Parul Pandya Dhar
New Delhi: D. K. Printworld (P) Limited, 2010. 317 pp.; 359 ills. Cloth $140.00 (9788124605349)
So much attention has been given to the spiritual aspect of Indian art that it may seem a cliché to search for the sacred in its diverse and many works, yet an important element of Parul Pandya Dhar’s recent book, The Torana in Indian and Southeast Asian Architecture, is how it makes a compelling case for just such quests. This is not, however, because the author makes “meaning” to be the most important criteria of her study. Rather, it is Dhar’s careful and wide-ranging consideration of the forms of toranas, which she defines as arched portals or festoons… Full Review
April 24, 2014
Thumbnail
Anne Leader
Bloomington: Indiana University Press, 2012. 340 pp.; 205 color ills. Cloth $65.00 (9780253355676)
Any review of Anne Leader’s The Badia of Florence: Art and Observance in a Renaissance Monastery should begin with the fact that it is physically impressive at more than three hundred pages with over two hundred high-quality color photographs. In this beautiful setting Leader sets out to explain the early quattrocento changes that occurred in the oldest Florentine monastic foundation, the Benedictine abbey known for centuries simply as the Badia. She does this by considering three different aspects of the Badia’s history between roughly 1420 and 1440: the arrival of the Portuguese Abbot Gomezio di Giovanni and the impact of… Full Review
April 17, 2014
Thumbnail
Chia-Ling Yang and Roderick Whitfield, eds.
London: Saffron Books, 2012. 312 pp.; 119 ills. Cloth €34.95 (9781872843377)
Luo Zhenyu (1866–1940) lived through the tumultuous transition from Imperial to Republican China while uneasily jostling no fewer than five different personal profiles: a knowledgeable reformer who pushed for the Chinese adaptation of foreign methods in agriculture and education by editing newspapers and book series between 1896 and 1910 that promoted these ideas; a classical scholar who understood the importance of the recently discovered Dunhuang images, texts, and artifacts, along with new archaeological finds in the form of inscribed oracle bones to shift the text-focused traditional connoisseurship to the new disciplines of “archaeology” and “art history”; a businessman who financed… Full Review
April 17, 2014
Thumbnail
Bryan R. Just
Exh. cat. Princeton and New Haven: Princeton University Art Museum in association with Yale University Press, 2012. 252 pp.; 263 color ills.; 24 b/w ills. Paper $50.00 (9780300174380)
Exhibition schedule: Princeton University Art Museum, Princeton, October 6, 2012–February 17, 2013
It has become commonplace in reviews such as this to invoke the significant advances in Maya scholarship that the work under consideration has benefitted from and which it exemplifies. This is due to the fact that, through extraordinary achievements in the decipherment of ancient Mayan writing and the relatively regular discovery of important artworks and artifacts (or even entire cities) by archaeologists, modern understanding of the ancient Maya has progressed at a breathtaking pace over the past generation. Indeed, it would be difficult to understand the importance of the exhibition and book Dancing into Dreams: Maya Vase Painting of the… Full Review
April 17, 2014
Thumbnail
Susan Tumarkin Goodman and Kenneth E. Silver
Exh. cat. New York and New Haven: Jewish Museum and Yale University Press, 2013. 148 pp.; 72 color ills.; 27 b/w ills. Cloth $45.00 (9780300187342)
Exhibition schedule: Jewish Museum, New York, September 15, 2013–February 2, 2014
The fourth exhibition dedicated to the work of Marc Chagall and mounted by the Jewish Museum since 1965 (with the three most recent—in 1996, 2001, and 2008—also organized by senior curator Susan Tumarkin Goodman), Chagall: Love, War, and Exile trained a specific focus on the artist’s work in France during the run-up to World War II and the difficult war years he spent in New York. The show was organized into four sections, “Time is a River,” “War and Exile,” “The Jewish Jesus,” and “The Colors of Love,” and consisted of thirty-one oil paintings and twenty-two works on paper, as… Full Review
April 10, 2014
Thumbnail
Claire F. Fox
Minneapolis: University of Minnesota Press, 2013. 352 pp.; 8 color ills.; 32 b/w ills. Paper $30.00 (9780816679348)
Claire F. Fox’s latest book, Making Art Panamerican: Cultural Policy and the Cold War, adds fresh perspective to the ongoing scholarly reconsideration of twentieth-century Pan Americanism and U.S. cultural diplomacy through its selected period of study and contemporary methodology. Fox examines the institutional agenda, cultural activities, and continental influence of the Pan American Union (PAU; today the Organization of American States) in the early years of the Cold War. Formed in 1890, the PAU was an inter-governmental organization of national and state delegates whose primary objective was to promote regional solidarity and cooperation among the countries of Latin America… Full Review
April 10, 2014
Thumbnail
Jennifer Wingate
Burlington: Ashgate, 2013. 244 pp.; 50 b/w ills. Cloth $99.95 (9781409406556)
Although scholarship on public art in the United States has expanded in recent years, few studies address the sculptural reminders of American involvement in the First World War. Jennifer Wingate’s Sculpting Doughboys: Memory, Gender, and Taste in America’s World War I Memorials corrects this scholarly lacuna by examining memorials created in the 1920s and 1930s dedicated to the “Great War.” As her title implies, the majority of these sculptures depict American infantrymen, known colloquially then and now as “doughboys.” According to Wingate, this book “aims not to recover and celebrate the militaristic ideals promoted by many war memorials, but to… Full Review
April 10, 2014
Thumbnail
Jeffrey Howe, ed.
Exh. cat. Boston: McMullen Museum of Art, Boston College, 2013. 140 pp.; 35 color ills.; 25 b/w ills. Paper $35.00 (9781892850218)
Exhibition schedule: McMullen Museum of Art, Boston College, Boston, September 1–December 8, 2013
Disdain for Belgium is so commonplace in Paris that the very mention of “les belges” can cause a smirk. A small but ambitious exhibition at Boston College’s McMullen Museum of Art demonstrated that, far from sharing this prejudice, Gustave Courbet had an attachment to Belgium, where his work was admired and imitated. In 1866, the painter wrote to the Belgian merchant Arthur Stevens: “I consider Belgium my country” (quoted in the exhibition catalogue, 11). He might have visited Belgium as early as 1840; he was there in 1844 and 1847, and he made four or five more trips… Full Review
April 4, 2014
Thumbnail
Andrew Hopkins
New Haven: Yale University Press, 2012. 372 pp.; 62 color ills.; 305 b/w ills. Cloth $85.00 (9780300181098)
Andrew Hopkins’s latest book is the first full-length English-language study of the great seventeenth-century Venetian architect Baldassare Longhena. It follows two recent Italian monographs, by Martina Frank (Baldassare Longhena, Venice: Istituto Veneto di Scienze, Lettere ed Arti, 2004), along with Hopkins's own study, revised and translated in the work under review (Baldassare Longhena 1597–1682, Milan: Electa, 2006). Despite the wealth of literature on sixteenth-century Venetian art and architecture, the Venetian Baroque has remained a relatively neglected field in Anglo-American scholarship. Only Longhena’s best-known work, the church of S. Maria della Salute, has received significant attention, most… Full Review
April 4, 2014
Thumbnail
Corinne Bélier, Barry Bergdol, and Marc Le Cœur, eds.
Exh. cat. New York: Museum of Modern Art, 2013. 232 pp.; 225 color ills. Cloth $55.00 (9780870708398)
Exhibition schedule: Cité de l'architecture et du patrimoine, Paris, October 11, 2012–January 7, 2013; Museum of Modern Art, New York, March 10–June 24, 2013
A celebrated protagonist of nineteenth-century French architecture, Henri Labrouste (1801–1875) has been rigorously reappraised by subsequent generations of architects and architectural historians. In the mid-twentieth century, architectural historian and critic Sigfried Giedion likened Labrouste’s application of exposed cast iron in the interiors of his two Parisian libraries, the Bibliothèque Sainte-Geneviève (1838–50) and the Bibliothèque nationale (1854–75), to such industrial marvels of the nineteenth century as exhibition halls and train sheds, arguing that the industrial aspects of Labrouste’s building represented formal precursors of twentieth-century modernist architecture. In 1975, the Museum of Modern Art’s (MoMA) curator of the Department of Architecture and… Full Review
April 4, 2014
Thumbnail
Tatiana Flores
New Haven: Yale University Press, 2013. 376 pp.; 48 color ills.; 122 b/w ills. Cloth $65.00 (9780300184488)
In 1990, the Metropolitan Museum of Art's Mexico: Splendors of Thirty Centuries—a blockbuster show that, for U.S. audiences, more or less defined the state of the field of Mexican art history—barely acknowledged that Mexican artists had wrestled with the avant-garde. Five of Diego Rivera's Cubist pictures were included, but, having been done in Europe, they stood apart; only Frida Kahlo's (misleadingly named) La Adelita, Pancho Villa, and Frida (1927) gave any sense that artists in the post-revolutionary period were interested in something other than rappel à l'ordre classicism, hyper-nationalist or not. In her new and beautiful monograph, … Full Review
March 27, 2014
Thumbnail
Steven Hoelscher, ed.
Harry Ransom Center Photography Series.. Austin: University of Texas Press, 2013. 352 pp.; 275 color ills. Cloth $75.00 (9780292748439)
In December 2009, the Harry Ransom Center (HRC) at the University of Texas at Austin acquired a remarkable research collection: the contents of the Magnum New York photo library. The collection, initially purchased by computer manufacturer Michael Dell and his hedge fund MSD Capital, L.P., and then donated in full to the HRC in September 2013, consists of over 200,000 press photographs, many of which are now considered icons of the twentieth century. The photographs were taken by individuals associated with the preeminent international photography agency Magnum Photos, founded in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger, and David… Full Review
March 27, 2014
Thumbnail
Sarah Blake McHam
New Haven: Yale University Press, 2013. 464 pp.; 120 color ills.; 105 b/w ills. Cloth $75.00 (9780300186031)
In his dedicatory preface to the emperor Titus (AD 77), Pliny described his goals in writing the Natural History with capacious reflection: My subject is a barren one—the world of nature, or in other words life. . . . Moreover, the path is not a beaten highway of authorship, nor one in which the mind is eager to range: there is not one person to be found among us who has made the same venture, nor yet one among the Greeks who has tackled single-handed all departments of the subject. . . . It is a difficult task… Full Review
March 27, 2014
Thumbnail
Jerry L. Thompson
Cambridge, MA: MIT Press, 2013. 112 pp.; 7 b/w ills. Cloth $14.95 (9780262019286)
If the grandiose title Why Photography Matters rings a bell somewhere in your memory, it is because Jerry L. Thompson hoped it would. His brief polemic declares itself a response to Michael Fried’s Why Photography Matters as Art as Never Before (New Haven: Yale University Press, 2008) (click here for review), which Thompson found over-long and misguided. Fried’s tome has produced much debate among scholars, to be sure. Many have taken issue with its implication that photography found a way to matter as “art” only with recent developments in large-scale tableau production, when most photo historians contend photography… Full Review
March 20, 2014
Thumbnail
Michael Govan and Christine Y. Kim
Munich and Los Angeles: Delmonico and Los Angeles County Museum of Art, 2013. 304 pp.; 250 color ills. Cloth $75.00 (9783791352633)
Exhibition schedule: Los Angeles County Museum of Art, Los Angeles, May 26, 2013–April 6, 2014; Museum of Fine Arts, Houston, June 9–September 22, 2013; Solomon R. Guggenheim Museum, New York, June 21–September 25, 2013
The Los Angeles County Museum of Art’s (LACMA) nearly yearlong James Turrell: A Retrospective opened concurrently with two other major exhibitions of the artist’s work at the Museum of Fine Arts, Houston (MFAH), and the Solomon R. Guggenheim Museum in New York. Initially conceived independently by the three institutions, these exhibitions were aligned more to strengthen the visibility of Turrell’s work than to present a coordinated account of it. The MFAH show was first imagined in 2002 after the opening of Turrell’s The Light Inside in 2000, a permanent installation within the tunnel linking the museum’s two buildings. Its 2013… Full Review
March 20, 2014
Thumbnail