Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Miranda Wallace, Robert Leonard, and Betsy Berne
Brisbane: Gallery of Modern Art, 2016. 144 pp. Cloth AU$39.95 (9781921503801)
Exhibition schedule: Gallery of Modern Art, Brisbane, May 28–October 3, 2016

In the decades since Cindy Sherman established her photographic practice as part of the Pictures Generation of the 1970s and early 1980s, her work has provoked polarized opinions. Her relationship with feminism in particular has been hotly debated, with some insisting that her work reveals and subverts the patriarchal nature of the gaze, and others suggesting that Sherman’s use of masquerade merely reinforces the visual dynamics of fetishism. As Jui-Ch’i Liu has suggested, Sherman’s own... Full Review

December 15, 2017
The Institute of Classical Architecture & Art
New York: The Institute of Classical Architecture & Art, 2016.

The Institute of Classical Architecture and Art (ICAA), a nonprofit institution located in midtown Manhattan that is devoted to “advancing the practice and appreciation of the classical tradition in architecture, urbanism, and the allied arts,” has recently opened a plaster-cast gallery. A selection of highlights from 120 plaster casts... Full Review

December 14, 2017
Byzantine Fresco Chapel, Menil Collection, Houston, TX, May 21, 2016 – Oct 28, 2018

Installed at the Menil Collection’s Byzantine Fresco Chapel in Houston, Texas, more than four hundred handmade images of the fourth-century saint Fabiola comprise Francis Alÿs’s latest version of The Fabiola Project. Except for a few small objects displayed in an adjoining room, the pictures are hung on a single wall 24 feet tall by 40.5 feet wide. The lower one-third of the works can be inspected closely, but the rest reside too high for such pursuits and are subsequently absorbed... Full Review

December 12, 2017
Sarah Kate Gillespie, Janice Simon, Meredith E. Ward, and Kimberly Orcutt
Exh. cat. Athens: Georgia Museum of Art, University of Georgia, 2016. 126 pp.; 42 color ills.; 40 b/w ills. Cloth $55.00 (9780915977956)
Exhibition schedule: Georgia Museum of Art, September 17–December 11, 2016

The forty works featured in Icon of Modernism: Representing the Brooklyn Bridge, 1883–1950 illustrate the influence that the imposing New York architectural landmark has had on modernist artists of varying stripes since its completion in 1883 to just after the Second World War. Included are a mix of paintings, works on paper, and photographs executed in several modernist styles from American Impressionism to Surrealism that depict the bridge from key vantage points. In fact, in the... Full Review

December 6, 2017
Victoria Lynn and Helen Hughes
Exh. cat. Healesville, Australia: TarraWarra Museum of Art, 2016. 120 pp.; 110 ills. AU$15.00 (9780994455222)
Exhibition schedule: TarraWarra Museum of Art, Healesville, Australia, August 19–November 6, 2016

The 2016 TarraWarra Biennial was conceptualized as an exchange between two influential modes within contemporary art today: the recurring “biennial” exhibition format and the prevalence of contemporary art journals. The exhibition’s curatorial premise, its catalogue, and its associated program of talks and publications were envisaged by curators Victoria Lynn (director of TarraWarra Museum of Art) and Helen Hughes (co-founder of Discipline journal) as being not simply in... Full Review

December 5, 2017
Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello, eds.
Exh. cat. Philadelphia: Philadelphia Museum of Art in association with Yale University Press, 2016. 432 pp.; 350 color ills.; 20 b/w ills. Cloth $65.00 (9780300215229)
Exhibition schedule: Philadelphia Museum of Art, Philadelphia, October 25, 2016–January 8, 2017; Museo del Palacio de Bellas Artes, Mexico City, February 3–April 30, 2017; Museum of Fine Arts, Houston, June 25–October 1, 2017

Marking the centenary of the Mexican Constitution (and some argue the end of the Mexican Revolution), the year 2017 is the occasion for many celebrations of Mexican art and culture. Paint the Revolution: Mexican Modernism, 1910–1950 offers a rare opportunity to see numerous exceptional examples of Mexican modern art, many loaned from private collections. The exhibition and its accompanying lavishly illustrated catalogue are collaborations between the Philadelphia Museum of Art... Full Review

December 5, 2017
Pilar Silva Maroto, ed.
Exh. cat. New York: Thames and Hudson, 2016. 400 pp. Paper $45.00 (9780500970799)
Exhibition schedule: Museo Nacional del Prado, Madrid. May 31–September 25, 2016

In summer 2016, on the five hundredth anniversary of Jheronimus Bosch’s death (ca. 1450–1516), the Museo Nacional del Prado staged an impressive, well-researched monographic exhibition on the highly original and imaginative Netherlandish artist. Curated by Pilar Silva Maroto, head of the departments of Flemish and early Spanish painting at the Prado, who also edited the hefty scholarly catalogue that accompanied the show, the exhibition provided a unique opportunity to view the majority of... Full Review

November 10, 2017
Jens Hoffmann and Claudia J. Nahson
Exh. cat. New York: Jewish Museum in association with Yale University Press, 2016. 224 pp.; 185 color ills.; 20 b/w ills. Cloth $50.00 (9780300212150)
Exhibition schedule: The Jewish Museum, New York, May 6–September 18, 2016; Deutsche Bank KunstHalle, Berlin, July 7–October 8, 2017; Museu de Arte do Rio, Rio de Janeiro, November 2017–March 2018

In presenting the work of Roberto Burle Marx (1909–1994), curators Jens Hoffmann and Claudia J. Nahson (with Rebecca Shaykin) and the Jewish Museum have expanded the range of exhibitions on architecture and design to include not only a designer from Latin America but one whose primary medium is the most difficult to capture and express museographically: modern landscape architecture. While the focus is on the landscapes he designed, Roberto Burle Marx: Brazilian Modernist shows that... Full Review

November 10, 2017
Henri Loyrette
Exh. cat. Melbourne: National Gallery of Victoria, 2016. 255 pp.; 309 ills. Cloth $55.00 (9780890901915)
Exhibition schedule: National Gallery of Victoria, Melbourne, June 24–September 18, 2016; Museum of Fine Arts, Houston, Texas, October 16, 2016–January 16, 2017

Degas: A New Vision offered a rare, broad, and true career-spanning retrospective of Edgar Degas (1834–1917), whose body of work was produced over the course of half a century, in a trajectory that made many twists and turns. Degas was an artist deeply rooted in the traditions of the Renaissance and the Academy yet also one of the most avant-garde artists of his era. His innovations in monoprint, for example, both as a unique medium and in conjunction with pastel, show an... Full Review

October 20, 2017
Edward H. Wouk, ed.
Exh. cat. Manchester: Manchester University Press, 2016. 240 pp.; 55 ills. Cloth £25.00 (9781526109569)
Exhibition schedule: The Whitworth, University of Manchester, UK, September 30, 2016–May 29, 2017

The exhibition Marcantonio Raimondi and Raphael celebrates the collaboration between the celebrated papal court painter Raphael Sanzio (1483–1520) and the lesser-known but respected Bolognese metal engraver and goldsmith Marcantonio Raimondi (ca. 1480–ca. 1534). Tracing the development of the close working partnership shared between artist and craftsman, the exhibition reveals how this unique relationship benefited both men in their chosen artistic fields.

Marcantonio... Full Review

October 13, 2017