Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Conceptual Art
Dissertations in Progress by Subject, 2016

Show completed dissertations

Campbell, Thomas, “Real to Reel: The Cassette Publication as Networked Space” (Columbia, B. Joseph)

Canac, Sandrine, “From Measured Volume to Indefinite Expansion: The Early Work of Robert Barry (1963–1975)” (Stony Brook University, A. Uroskie)

de Laforcade, Sonia, “Áudio-Visual: The Slide as Medium in Brazilian Art of the 1970s”
(Princeton, Irene Small)

DiBenedetto, Erica, “Drawing from Architecture: The Conceptual Methods of Sol LeWitt’s Art, 1965–1980” (Princeton, B. Doherty; H. Foster)

Hebble, John, “Conceptual Art Photography: An Investigation of Medium and Discourse in Selected Works by Mel Bochner, Dan Graham, Adrian Piper, and Bruce Nauman” (Virginia Commonwealth, B. Lawal)

Iglesias Lukin, Aimé, “This Must Be the Place: Latin American Artists in New York, 1965–1975” (Rutgers, T. Flores)

Jackson, Katherine, “Total Economy: The Artist Placement Group in 1970s UK” (University of British Columbia, J. Mansoor)

Olivas, Yvonne, “System Withdrawal: Lee Lozano’s General Strike” (Stony Brook University, Z. Patterson)

Scott, Hallie, “Communicationists and Un-Artists: Pedagogical Experiments in California, 1966–1974” (CUNY, C. Bishop)

Varet, Esther Kim, “Art INC: A Reassessment of the Art and Technology Program at the Los Angeles County Museum of Art” (Columbia, A. Alberro)

Zaikina, Olga, “Spatializing Consciousness: Participatory Art, Objects, and Poetry of Andrey Monastyrsky in the 1970s–80s” (Penn State, S. Rich)