- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Art of the Ancient Americas
Dissertations in Progress by Subject, 2016
Burian, Shelley, “Aymara Ceremonial Garments and Colonial Bolivian Society (Upper Peru), 1550–1780 CE” (Emory, R. Stone)
Caplan, Allison, “Their Flickering Creations: Value, Surface, and Animacy in Nahua Precious Art” (Tulane, E. Boone)
Driggers, Kristopher, “History and Idolatry in the Codex Durán Paintings” (Chicago, C. Brittenham)
Gassaway, William, “Extraordinary Bodies: The Art of Deformation in Postclassic Mexico” (Columbia, E. Pasztory)
McKenzie, Andrea, “Indigenous Concepts, Scripted Pictures: Andean Forms in the Drawings of Guaman Poma de Ayala’s Nueva corónica y buen gobierno (1615/1616)” (Emory, R. Stone, W. Melion)
O’Keefe, Julia, “Active Enclosures: Aztec Containers and the Design of Ritual Exchange” (Tulane, E. Boone)
Rose, Diana, “Living Time, Performing Memory: Maya Ceremonies of Foundation and Renewal” (UC Santa Cruz, C. Dean)
Terry, James, “Signifying Architecture: Maya Architecture of Chicanna and the Central Yucatan” (Yale, M. Miller)
Vazquez de Arthur, Andrea, “Portraits, Pots, or Power Objects?: On the Imagery and Ontology of Wari Faceneck Vessels” (Columbia, E. Pasztory)
